Michelle M. Forsyth » Portfolio
Michelle M. Forsyth, April 15, 1912, 2007, paper, watercolor, casein, gouache, felt, beads and pins mounted on archival panel, 30 x 45 inch image, 34 x 49 in
Michelle M. Forsyth, December 6, 1917 (#5 from Ostinatos), 2008, Color-Aid paper, 90 lb. Arches HP watercolor paper, Fabriano SP watercolor paper, Hahnemuhle photo i, 42 x 63 x 6 inches.
Michelle M. Forsyth, Railway Wreck, Bayonne, NJ, September 15, 1958, 2006, Gouache on watercolor paper, 15 x 22 inches
Michelle M. Forsyth, TWA flight 800 crash, East Moriches, Long Island, July 17, 1996, 2006, Gouache on watercolor paper, 15 x 22 inches
Michelle M. Forsyth, TWA flight 800 crash, East Moriches, Long Island, July 17, 1996, 2006, Gouache on watercolor paper, 15 x 22 inches
Michelle M. Forsyth, Triangle Shirtwaist Factory Fire, NY, NY, March 25, 1911, 2006, Gouache on watercolor paper, 15 x 22 inches
Michelle M. Forsyth, April 15, 1912 (detail), 2007, paper, watercolor, casein, gouache, felt, beads and pins mounted on archival panel, 30 x 45 inch image, 34 x 49 in
Michelle M. Forsyth, June 17, 1958 (for my grandfather), 2007, paper, watercolor, casein, gouache, felt, beads and pins, 48 x 60 inches
Michelle M. Forsyth, Murder of Eight Student Nurses, Chicago, IL, July 15, 1966, 2007, gouache on watercolor paper, 28 x 42 inches
Michelle M. Forsyth, November 10, 1979, 2007, paper, watercolor, casein, gouache, felt, beads and pins mounted on archival panel, 26 x 39 inch image, 30 x 43 in
Michelle M. Forsyth, November 10, 1979, 2007, paper, watercolor, casein, gouache, felt, beads and pins mounted on archival panel, 26 x 39 inch image, 30 x 43 in
Michelle M. Forsyth, Point Ellice Bridge Collapse, Victoria, BC, May 26, 1896, 2007, gouache and glitter on watercolor paper, 28 x 42 inches
Michelle M. Forsyth, Second Narrows Bridge Collapse, Vancouver, BC, June 17, 1958, 2007, gouache on watercolor paper, 15 x 22 inches
Michelle M. Forsyth, December 6, 1917 (#5 from Ostinatos), 2008, Color-Aid paper, 90 lb. Arches HP watercolor paper, Fabriano SP watercolor paper, Hahnemuhle photo i, 42 x 63 x 6 inches.
Michelle M. Forsyth, Fairview Cemetery, April 15, 1912, (#18 from the 100 Drawings Project), 2008, Gouache and sequins on watercolor paper, 28 x 42 inches.
Michelle M. Forsyth, May 3, 1887 (#7 from Ostinatos), 2008, 156 lb. Arches CP watercolor paper, Color-Aid paper, 90 lb. Arches HP watercolor paper, Hahnemuhle p, 28 x 42 inches.
Michelle M. Forsyth, May 3, 1887 (#7 from Ostinatos), 2008, 156 lb. Arches CP watercolor paper, Color-Aid paper, 90 lb. Arches HP watercolor paper, Hahnemuhle p, 28 x 42 inches.
Michelle M. Forsyth, Murder of Eight Student Nurses, Chicago, IL, July 15, 1966, (Drawing #14 from the 100 Drawings Project), 2007, 2007, Color-Aid paper, felt pins foamies, pins, and gouache on watercolor paper with cut holes, 28 x 42 inches
Michelle M. Forsyth, Noronic Disaster, Toronto, Ontario, September 17, 1949, (Drawing #15 from the 100 Drawings Project), 2008, 2008, Watercolor and gouache on Arches CP 156 lb. watercolor paper, 28 x 42 inches
Michelle M. Forsyth, November 7, 1940 (for Tubby) (#6 from Ostinatos), 2008, Color-Aid paper, 90 lb. Arches HP watercolor paper, Fabriano SP watercolor paper, Hahnemuhle photo i, 144 x 72 inches
Michelle M. Forsyth, Sayward Fire, Campbell River, BC, Canada, July 5, 1938, (#20 from the 100 Drawings Project), 2008, Watercolor, gouache and sequins on watercolor paper, 36 x 54 inches.
Michelle M. Forsyth, Second Narrows Bridge Collapse, Vancouver, BC, June 17, 1958, (Drawing #10 from the 100 Drawings Project), 2007, Gouache on Watercolor paper, 15 x 22 inches
Michelle M. Forsyth, September 17, 1949 (#4 from Ostinatos), 2008, Paper, gouache, felt, beads and pins mounted on archival panel, 26 x 39 inches
Michelle M. Forsyth, September 17, 1949 (#4 from Ostinatos), 2008, Paper, gouache, felt, beads and pins mounted on archival panel, 26 x 39 inches
Michelle M. Forsyth
All of my work is made on and with paper. This impulse stems from a childhood spent on a sailboat where the portability of the material provided an economic means to occupy time. Mark making—from thousands of tiny, sinuous brush strokes and cut and... » read more